MENU

Where the Comedy Became Divine

This sculpture celebrates the power of art as a tool for knowledge and reflection. Like Dante, Cardinali explores the origins and destiny of humanity, while also commemorating the first printing of the great Florentine masterpiece, which took place here in Foligno in 1472.

Divina Matrice di Sauro Cardinali

The printing plate from that historic moment is transformed into something truly Divine-just like the Comedy itself, which became the first great example of this revolutionary art form. Stumbling across this sculpture is a celebration of the accessibility of knowledge, made possible by Gutenberg’s invention, in a Foligno that has always represented a crossroads of culture, historical memory, and artistic innovation.

Talking Stones
Stone and ceramic tiles, bonding mortars
cm 55×55

The work consists of reproducing through a mosaic the same explanatory qr code of the work.
The idea stems from the observation that in the nature of the stumbling stones, the communicative element is “the essential.” Therefore, avoiding redundancy and focusing on a new linguistic mode such as the QR code while also highlighting its aesthetic features, combinatorial possibilities and cognitive implications, led me to “say what I see.””.

Play and discover special content about this work

Answer the question correctly and unlock special content on this work.

Who wrote the Divine Comedy?

A

Dante Alighieri

B

Cicero

C

Michelangelo Buonarroti

Yes!! Correct answer!

Oh Noo! You got it wrong!

Continue visiting

In Piazza della Repubblica, you’ll find another stumbling stone.
As you walk along Via Gramsci, you’ll encounter two more stumbling stones: one at Piazza Don Minzoni at the start, and another near Largo Carducci at the end.

Go to Top